| 
  • If you are citizen of an European Union member nation, you may not use this service unless you are at least 16 years old.

  • You already know Dokkio is an AI-powered assistant to organize & manage your digital files & messages. Very soon, Dokkio will support Outlook as well as One Drive. Check it out today!

View
 

NY 400 years old

Page history last edited by Harry van Nieuwkerk 15 years ago

http://www.ny400.org/

 

UPCOMING EVENTS

Amsterdam / New Amsterdam: The Worlds Of Henry Hudson

USA,  APR 04 - SEP 27, 2009

Amsterdam / New Amsterdam: The Worlds Of Henry HudsonThis exhibition will explore the world from which Henry Hudson came, the world that he discovered and the world he helped create. 

 

 

 

 

Museum of the City of New York 

1220 Fifth Avenue

New York, NY 10029 

Tel: 212.534.1672

Amsterdam/New Amsterdam: The Worlds of Henry Hudson, presented in collaboration with the New Netherland Project in Albany and the National Maritime Museum Amsterdam/Nederlands Scheepvaartmuseum in Amsterdam, will employ rare 16th- and 17th-century objects, images, and documents from major American and Dutch collections to bring the transatlantic world to life and reveal how Henry Hudson's epic third voyage of exploration planted the seeds of a modern society that took root and flourished in the New World. 

Focusing on the economic, cultural, and ideological connections that ultimately linked two global cities, Amsterdam and New York, Amsterdam/New Amsterdam will illuminate not only the global significance of Hudson's voyage, but also the creative context out of which the exploration and settlement of New York itself arose, highlighting the Dutch role in creating the very character of New York as a place of opportunity, tolerance, and perpetual transformation. 

In 1609, Henry Hudson, an Englishman sailing for the Dutch East India Company, made the first exploration of what is now New York Harbor and of the majestic river that today bears his name, laying the foundation for the Dutch claim on the area. His voyage of discovery led to the creation of the Dutch West India Company and ultimately to the founding of New Netherland, including its trading post at the mouth of the river - New Amsterdam. 

The exhibition will invite visitors to consider the voyages of Hudson in the context of the Dutch role in the Age of Exploration, and as the first link between the Dutch civilization and culture of the Old World and that of the colony that they would soon build in the New. The multicultural, dynamic colony that grew up there was profoundly shaped by its Dutch origins, which continued to influence its development even after the Dutch ceded the young colony to the British in 1664. 

Making New Netherland History

USA,  APR 11, 2009

Making New Netherland HistoryCharles T. Gehring and Jaap Jacobs about myths, memories and discoveries of New York's origins. 

 

 

 

Charles Th. Gehring, Ph.D., Director of the New Netherland Project in Albany, has spent 30 years translating 17th-century documents to uncover the Dutch origins of New York. Jaap Jacobs, Ph.D., co-curator of Amsterdam/New Amsterdam: The Worlds of Henry Hudson, is one of the scholars who has built on Gehring's work to rewrite the history of New Netherland.

Making New Netherland History: A Conversation with Charles Gehring and Jaap Jacobs. Join these two experts in New York history for a conversation about myths, memories, and discoveries of New York's origins, what made New Netherland unique, and why knowledge of these origins is important for New York and New Yorkers today.

For more information please call 212.534.1672, ext. 3395.

Museum of the City of New York

 

 

Amsterdam/New Amsterdam: The Worlds of Henry Hudson
Apr 4 through Sep 27

 

 

Amsterdam/New Amsterdam: The Worlds of Henry Hudson, presented in collaboration with the New Netherland Project, Albany, and the National Maritime Museum Amsterdam/Nederlands Scheepvaartmuseum Amsterdam, will employ rare 16th– and 17th–century objects, images, and documents from major American and Dutch collections to bring the transatlantic world to life and reveal how Henry Hudson’s epic third voyage of exploration planted the seeds of a modern society that took root and flourished in the New World.

 

Focusing on the economic, cultural, and ideological connections that ultimately linked two global cities, Amsterdam and New York, Amsterdam/New Amsterdamwill illuminate not only the global significance of Hudson’s voyage, but also the creative context out of which the exploration and settlement of New York itself arose, highlighting the Dutch role in creating the very character of New York as a place of opportunity, tolerance, and perpetual transformation.

 

In 1609, Henry Hudson, an Englishman sailing for the Dutch East India Company, made the first exploration of what is now New York Harbor and of the majestic river that today bears his name, laying the foundation for the Dutch claim on the area. His voyage of discovery led to the creation of the Dutch West India Company and ultimately to the founding of New Netherland, including its trading post at the mouth of the river — New Amsterdam.

The exhibition will invite visitors to consider the voyages of Hudson in the context of the Dutch role in the Age of Exploration, and as the first link between the Dutch civilization and culture of the Old World and that of the colony that they would soon build in the New. The multicultural, dynamic colony that grew up there was profoundly shaped by its Dutch origins, which continued to influence its development even after the Dutch ceded the young colony to the British in 1664.

 

Visitors will discover:

 

  • how scientific advances in the 13th and 14th centuries laid the groundwork for exploration and trade that characterized the 15th and 16th centuries, and how the political events in Europe led to the emergence of the Dutch Republic and its rise to empire;
  • the forces that made the Dutch Republic a source of liberal attitudes toward diversity at a time when religious and ideological differences were tearing apart much of Europe;
  • the important role of Dutch enterprise and commercial growth in stimulating discovery and invention in this dynamic age, focusing on joint–stock trading companies like the Dutch East India Company and Dutch West India Company, which played a key role in Amsterdam’s rise to power;
  • how New Amsterdam drew its physical, cultural, and political character from its mother city;
  • the struggles of the new colony and the complex relationship between the Company and the people of New Amsterdam, including Native Americans, African slaves and freed people, and Europeans of many national and religious origins;
  • the process by which the settlers in New Amsterdam transformed the politics, culture, and economy of the colony to re–invent their lives in the New World;
  • the struggle for toleration by religious minorities such as Quakers and Jews, and the ultimate triumph of the Dutch model of inclusion;
  • the many Dutch influences, from the built environment to religious and cultural tolerance, that continue to distinguish New York City today. 

 

 

Amsterdam/New Amsterdam: The Worlds of Henry Hudson is made possible in part with support from the Consulate-General of the Netherlands in New York as part of its NY400 Celebrations (www.ny400.org).

 

 

 

 

Mannahatta/Manhattan
All images courtesy Wildlife Conservation Society
Click to see the full image
Mannahatta/Manhattan: A Natural History of New York City
May 20 through Oct 13

When Henry Hudson and a small crew of Dutch and English sailors rode the flood tide up a great estuarine river on the North American continent on September 12, 1609, they were looking for a passage to Oriental riches.  Instead, they found something much more valuable. Mannahatta's natural wealth—the old growth forests, stately wetlands, rolling hills, abundant wildlife, people who lived in tune with nature—was prodigious and deep.  The local people called the island "Mannahatta," which may have meant "island of many hills."  It would later be known as Manhattan and would become as densely filled with people and avenues as it once teemed with trees and streams.

 

Mannahatta/Manhattan: A Natural History of New York City will reveal the island of Mannahatta at the time of Henry Hudson's arrival—a fresh, green new world at the moment of discovery.  Through cutting edge multi-media and historical artifacts and maps, Mannahatta/Manhattan will re-imagine the quiet, wooded island at the mouth of a great river that was destined to become one of the greatest cities on Earth.  Moreover, Mannahatta/Manhattan will challenge visitors to view the city of today as a place where the relationship between nature and people is at its most important and to understand that the principles of diversity, interdependence, and interrelativity operate in a modern mega-city much as they do in nature.  In doing so, the exhibition will contribute something new to the history of New York—a view of its ecological origin—and in that contribution, shape the future as well. 

 

Mannahatta/Manhattan: A Natural History of New York City is presented in collaboration with the Wildlife Conservation Society.  For more information about the Mannahatta Project, visit www.wcs.org/mannahatta

 

 

The Mannahatta Project

 

Background

On a hot, fair day, the 12th of September, 1609, Henry Hudson and a small crew of Dutch and English sailors rode the flood tide up a great estuarine river past a long, wooded island at 40° 48’ latitude on the North American continent.  At the time, Hudson noted the land was “as pleasant as one need tread upon,” and his first mate, Robert Juet, wrote that the land was “as pleasant with Grasse and Flowers, and goodly Trees, as ever they had seene, and very sweet smells came from them.”  Subsequent European visitors over the next decade found the island “a convenient place abounding with grass” and “a land excellent and agreeable, full of noble forest trees and grape vines.”  This island was called Mannahatta by the Lenni Lenape people who lived there, or “land of many hills.”  It would later become known as Manhattan Island and would become as densely filled with people and avenues as it was once with trees and streams.

The aim of the Mannahatta Project is to reconstruct the ecology of Manhattan when Henry Hudson first sailed by in 1609 and compare it to what we know of the island today.  The Mannahatta Project will help us to understand, down to the level of one city block, where in Manhattan streams once flowed or where American Chestnuts may have grown, where black bears once marked territories, and where the Lenape fished and hunted.  Most history books dispense of the pre-European history of New York in only a few pages.  However, with new methods in geographic analysis and the help of a remarkable 18th-century map, we will discover a new aspect of New York culture, the environmental foundation of the city.

The Upper West Side of Mahattan in 1609

The Human Aspect

Understanding what Mannahatta must have been like requires an understanding not only of the geological and ecological processes that occurred here, but also the way that humans used the land.  At the time of Hudson’s arrival, the Lenape people cultivated squash, sunflowers, beans, and maize; hunted deer, wild turkey, fish, and shellfish; and gathered wild plants, nuts, and berries.  They used controlled burning to prepare plots of land for cultivation in Harlem and Greenwich Village.  Today’s New Yorkers use the landscape in a much different way, but have the same fundamental needs; finding ways to meet our needs while sustaining the natural processes on which we depend is the most important question of the 21st century. 

This 1782 "British Headquarters Map"  is the document that inspired The Mannahatta Project. 

Full of ecological details such as streams, cliffs, and salt marshes, it provides information about Manhattan's former landscape that otherwise would be lost.

 

HIGHLIGHTS

Total Area

45 sq. km (in 1609)

50 sq. km (in 2007)

Habitat Types (1609)

Tidal Marshes

Sea-grass beds

Oak-chestnut forest

Rocky streams

Habitat Types (2007)

Tidal Marsh

Landfill

Oak and other forest

Storm drains

Wildlife (1609)

Birds: Passenger pigeon **, Heath hen, wild turkey+

Fish: American shad, brook trout*

Mammals: Black bear, white-tailed deer, wolf*, elk*, mountain lion

* locally extinct today, + once locally extinct, now recovering, ** globally extinct

Geographical Features (1609)

Bluffs, hills and cliffs

Ponds and lakes

Sandy beaches

Forest meadows

Oyster beds

http://www.wcs.org/mannahatta

 

 

IBLOG@NY400

2009-04-03 16:08

NY400 Events: The Schaghenbrief on display

By Anne Margot van der Baan Last night we enjoyed the opening of the new exhibition Return to Man...

2009-04-02 14:30

NY400 Events: Fashioning Felt

By Alissia Melka-Teichroew   Fashioning Felt Exhibit is an exhibit currently shown at Coop...

2009-04-02 12:00

The Dutch open mind: Freedom requires caution

By Frans Timmermans:   Freedom of expression. Few concepts have generated more debate in the N...

 

Interview with Dutch DJ Armin van Buuren

'I really feel a connection between the Netherlands and New York, and I’m proud of that. What a shame we sold New York to the British!'

One of the Netherlands’ biggest musical export products is dance music. Three of the top ten DJ’s in the world today are Dutch, with Armin van Buuren taking the lead. The Dutch DJ was crowned "number one DJ in the world" by leading DJ Mag twice in a row, in 2007 and 2008. Just last month, he won four awards at the renowned International Dance Music Awards in Miami, including ‘Best European DJ’. Armada Music, of which Armin is co-owner, was chosen the Best Global Dance Label.

Armin van Buuren regularly DJ's in New York. Last Saturday he played at the Roseland Ballroom. Armin: ‘I love New York. Frank Sinatra was right: if you can make it there, you can make it anywhere... To me, New York is the most important place in the world when it comes to the dance music scene. You have to be here.’ 

‘New York is the only city abroad I’d consider living in. It feels a bit like Amsterdam, in terms of its relaxed attitude to life. I really feel a connection between the Netherlands and New York, and I’m proud of that. What a shame we sold New York to the British!’

How does Armin explain the overwhelming success of Dutch dance music in the world? ‘It has a lot to do with the pioneering role of the Netherlands in the development of dance; producers such as ID&T have been of vital importance. The Dutch sound is very recognizable, even though there is great diversity as well.’ 

When asked about his contribution to this success, Armin remains modest. He describes his own music as electronic dance music that’s "uplifting and energetic, with a certain toughness to it". ‘My music was originally meant for the underground dance scene; I never aimed for it to be played on the radio. Even though I feel very lucky to be in this position, to be the "so-called number one DJ in the world", I don’t think it’s an absolute thing. There’s no way to say "this is the best DJ". It’s a matter of taste; as we all do very different things.’ 

Both NY400 and Armin are celebrating a "four hundredth" this year: in April, his hit radio show A State of Trance will air its 400th episode. Armin:  ‘It’s going to be huge. We’ll do a special broadcast; it starts on Thursday, April 16th from Club Butan in Germany, flies over to Club Air in Birmingham, UK, on Friday and ends on Saturday at the Maassilo venue in Rotterdam, Holland. The 72-hour lasting show will be live (video) broadcasted on more than 40 stations.’

With his impressive résumé, we wonder if there’s anything left to achieve? Armin: ‘It frightens me when people say I’ve "made it". I feel like I’m just getting started!’
 
 

History

Dutch Historian Jaap Jacobs on the Worlds of Henry Hudson

With the exhibition Amsterdam/New Amsterdam: the Worlds of Henry Hudson Jaap Jacobs aims to make New Yorkers more aware of their history: ‘It’s like a basic fact of life, to be interested in the history of your own home town, to want to know more about it.'

 

Jaap Jacobs is co-curator of Amsterdam/ New Amsterdam: The Worlds of Henry Hudson, the exhibition that opens tomorrow at the Museum of the City of New York. Jacobs is an independent Dutch historian whose research is at the forefront of scholarship on the history of New Netherland. 

With the exhibition, Jacobs aims to make New Yorkers more aware of their history: ‘It’s like a basic fact of life, to be interested in the history of your own home town, to want to know more about it. I can only hope this exhibition will move people to start thinking about the early history of New York.’ 

Many interesting facts arise when you look into the history of New Netherland, Jacobs explains. ‘For instance, many people seem to think New Amsterdam was a big city. But it was just a trading post that revolved around beavers.’ Another thing is that no one actually knows what Henry Hudson looked like, it’s a mystery. ‘Yes, there’s a portrait of him, but that was just wishful thinking. The painting was made in the nineteenth century, by someone who guessed away.’ (See portrait above)

Amsterdam/New Amsterdam: the Worlds of Henry Hudson is a historical exhibition that focuses on the seventeenth century; on the differences and similarities between Amsterdam and New Amsterdam/New York in those days. Jacobs: ‘New Amsterdam was not a colony in itself; it can only be understood as a part of New Netherland, which again is part of the broader context of the Dutch seventeenth century. Because of this, the exhibition also explores the general history of the Netherlands. The title of the exhibition refers to these different layers. There are many authentic, rare artifacts on display, such as old Dutch maps and globes. But we also show objects from the world of the Indians, hence the different “Worlds of Henry Hudson”.’

When asked how his interest in this history originated, Jacobs laughs. ‘Actually, I never intended to explore the history of New Netherland. It was just a coincidence, as those things usually go. When I was in high school, I corresponded with a friend from New York. He told me about a Dutch street in the city. Could that be true? I wondered. As I started investigating this tiny detail, I slowly got more and more into the history of New Netherland as a whole.’ 

Jacobs admits that up to this day, he hasn’t found out whether the street name was of Dutch origin. But as he has become the leading authority on the subject of the history of New Netherland, we can disregard this easily.

 

History

The Schaghenbrief letter

In 1626, the Dutch bought Manhattan by giving the Native Americans goods worth 60 guilders. At least, the Dutch thought they had. Dubbed by Fortune Magazine the best business deal ever made, evidence of this misinterpreted transaction is provided by the Schaghenbrief letter.
 

In 1626, the Dutch bought Manhattan by giving the Native Americans goods worth 60 guilders. At least, the Dutch thoughtthey had. Dubbed by Fortune Magazine the best business deal ever made, evidence of this misinterpreted transaction is provided by the Schaghenbrief letter, now on display at the Rijksmuseum in Amsterdam. The exhibition is part of ‘New York Nights’, a weeklong NY400 celebration in Amsterdam that kicks off today.

April 4th marks the exact date that 400 years ago Henry Hudson set sail from Amsterdam aboard the ship ‘de Halve Maen’ on a mission for the Dutch East India Company to search for a quick passage to the Orient. Five months later, he sailed past Manhattan Island on the river which would come to bear his name. Hudson's voyage attracted Dutch traders to the area, leading to the establishment of the New Netherland colony. In 1625, the trading post New Amsterdam on Manhattan was chosen as the main site of the Dutch colony. A year later, in 1626, the Dutch ‘purchased’ the island.

That year, Dutch official Pieter Schaghen wrote a letter to his government. He had received word that Dutch settlers had bought Manhattan. The Schaghenbrief, as the letter came to be known, is kept in the Dutch National Archives in The Hague.

‘The Schaghenbrief is an incredibly important piece,' admits Martine Gosselink of the Dutch National Archive ‘But it has also led to many myths. And we want to tell the whole story.' One of the myths, she says, is that Manhattan was bought from the local Indian tribes for 60 guilders ($ 24). ‘This is not true,' explains Gosselink. ‘The Dutch gave the Indians goods worth 60 guilders.' A bigger dilemma arises: The Indian tribes never considered it as purchase. ‘They did not know the concept of landownership. The Indians never though they actually sold Manhattan. They just allowed the Dutch to use it.'

Starting on April 1st, it will be part of the exhibition Return to Manhattan - 400th Anniversary of Henry Hudson's Voyageat the Rijksmuseum in Amsterdam. This exhibit also includes the famous watercolor view of New Amsterdam by Johannes Vingboons (ca 1660), and the oldest and most detailed map of New Amsterdam, from the Medici Collection in Florence, also by Vingboons. In September, the Schaghenbrief (and these other treasures) will travel to New York as the centerpiece of the exhibition The Island at the Center of the World at the South Street Seaport Museum.

New York Nights & Rijksmuseum

 

 

Comments (0)

You don't have permission to comment on this page.